trippin' the rift can you trip like i do?

12Dec/106

100th

Posted by tipkin

Here it is, my dearest readers and listeners. The 100th post. A micro-anniversary in trippin' the rift's mini-history. I want to raise this glass of this fine Oatmeal Stout to all of you, who's been reading these posts (not always inspired and almost never grammatically correct, but always honest), listening to my tiny radio station, watching videos and even going as far as leaving comments. Appreciations all around. There is iTunes Almighty, there is a mega-community of Last.fm and yet there still is this blog and there are those exceptional (and very attractive, I'm sure) individuals who keep checking it out every once in a while. Thank you.

I wanted to make this post memorable. I could have made a compilation of my top 100 trip-hop tracks (hm... not a bad idea actually. How about a poll to pick top 100 trip-hop tracks ever?!), write a long boring "ass"-ey about history of trip-hop and "how Coldcut started it all" and how "Portishead, Tricky and Massive Attack made everyone care". But I'll save those novel ideas for the future anniversary posts. This very first one should be small and intimate, full of hope, love and good trips. And it kind of came out like that, despite its big topic.

How do you get people to listen to your Shoutcast radio? Right, play what they want to hear. Trip-hop fans want to hear "trip-hop" - the Wikipedia version of it. And that's a pretty solid version, but built around the same proven names and with a devastating "post-trip-hop" ending. Nothing about the future. It's all in the "post-". It all starts with Portishead and ends with Morcheeba. If you don't hear either of those or anything in-between, then it's "not trip-hop", and you can enjoy your shitty radio all by your lonesome. Well, how about that - I'm listening to Josh Furey's album Archaeology available at Bandcamp for "name your price (no minimum)" and it doesn't sound even a bit like a fuckin' past. It sounds like a good fuckin' trip-hop and it's CC-licensed and that means that I can play it on my radio. And I do. With pleasure. And apologies to all you guys who stopped listening after I went 100% CC-licensed and thank you for being with us for as long as you did, but kudos to ones who are listening now. There aren't many (like, right now it's 0 as in "zero"), but just yesterday afternoon two dudes (or gals) from USA, and one from Russia, Germany, Brazil, Czech Republic and Chile were listening to (and I'm sure lovin' the shit out of) Josh Furey's (Canada) songs. Or Botany Bay's (Germany). Or KARIZZA's (Ukraine). Or Veell's (Russia), who isn't even trip-hop, but kicks major ass anyway.

And that's the weirdness of it. Of the whole entertainment industry and us its consumers. We're still readily forking over 99¢ for a song (here in the US. Most of us do. I think...), but watching new Dexter episode on an illegal website without any hesitation or emotional discomfort. We're starting to realize that there's no actual need to pay for something when there's so much FREE SHIT out there. And that they apparently have no idea how to fight it. Or simply cannot fight it because how do you fight artists offering their music (ready for it?) for free? Willingly. Just so people (I bet you're not ready for this one quite yet) would listen to it. What's even scarier for them is the fact that people are often paying money for those artists' music even though they don't have to! Wrap your head around this one. I asked some of the people whom I interviewed or reviewed their music to shed some light on what the F is going on in the music industry today and what is poor little aspiring musician to do in all this craziness. Here's what they had to say.

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4Sep/100

Parting gift (more Flunk!)

Posted by tipkin

I will be gone for the most of the September, so before I "make like a tree and get outta here"(C) I'm going to treat you to a nice little present: 2 additional questions to my favoritestest band Flunk, answered by Ulf Nygaard!

tipkin - Are you good friends outside of the band? Do you hang out and do stuff together?
Ulf - We are good friends, but we don't see each other much as a 'gang' - as mentioned before Jo and Anja have been extra busy, even Erik the drummer had been busy (with baby and his debut album!) - but the guys have a beer every now and then in the 'off seasons'. But we're not close - a bit odd, really, since we have really good fun when we tour!

tipkin - Who came up with the name 'Flunk' and how did it happen?
Ulf - I came up with the name, think I just like the word. And band names that are a bit loser like. The opposite of 'The Touch Guys' or something like that! :-o

Booyah!

And... Here are music videos to some of my favorite Flunk songs:

Flunk - "Six Seven Times"

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29Aug/100

Ru Trip Community – Da Story Never Ends

Posted by tipkin

I don't know about you, but for me this post is very important. Probably because I have a lot in common with the three people I interviewed here. And also because I believe that I am near the origins of something big, something that is yet rather less known but has already left an important imprint in the lives of many people, and that certainly deserves more attention. Ru Trip Community is not just another web-portal about Russian trip-hop, it is, as the musicians participating in the project admit, really a community, and its leaders are exceptionally friendly, open and understanding people. I had a lucky chance to talk to these heroes (a big word? How about you try carrying the development on the entire genre in one particular geographical unit!), and the results were quite fruitful. See for yourself:

tipkin - How did the idea come about? What were the first steps?

Maxim "Personal Light" Svetlichnyi - The idea came about as follows. Once in the beginning of the year 2009 I decided to check on the web - is there such a movement in music as Russian trip-hop. After studying a few forums and sites I stumbled upon releases by some less known bands (if I'm not mistaken they were Асфодель ("Asfodel"), Лирика Ватных Стен ("Lyric of Cotton Walls"), Kamio, Moresebya). To be honest - at that time I wasn't impressed... I was expecting something different. But about half a year later I accidentally stumbled upon the album Кремировать дождь ("Cremating Rain") of the same Kamio on my computer. Listened thoroughly. And realized that I was mistaken... The material turned out to be very interesting. The same evening I was digging through VKontakte* for a long time looking for trip-hop. Turned out, that there were quite a few acts out there... Маша Сальери (Masha Salieri), BBG, Kubrick's Cube... All this came down on my ears right away. :) And actually at that time the idea came to my mind that I wasn't alone - lots of people would be interested in finding out about this movement. So I decided to create a group at VKontakte where one could systematize all the data about the musicians, links to releases, etc. This is how the community was founded by the name of "Appreciators of Russian trip-hop" which was later renamed into "Appreciators of Russian trip-hop and abstract hip-hop". Every day there was more and more members. And what was the most pleasing, that the musicians joined the club (Masha Salieri was the first, huge thanks to her for that). A bit later I was joined by a volunteer - Макс Гущин (Max Gustshin), who made his contribution to the development of the club and became the second admin. A year later we got the third admin - the designer - Vix. About half a year after the opening we renamed ourselves into Ru Trip Community. We wanted some participation, so we promoted the releases, shows of our musicians. There was less of that later on, and as an experiment we decided to release our own compilation of domestic trip-hop. It was released on independent Japanese label Bump Foot.
Maxim Gustshin - I joined the development of the community at the very beginning. I remember that at that point our community (it was called "Appreciators of Russian abstract hip-hop and trip-hop") according to VKontakte had 27 members [Ru Trip Community has over 3,000 members today - tipkin]. And the first step was, naturally, the developing of our club. Maxim and I created a few additional accounts at VKontakte, since the rules of social networking prohibit inviting more than 40 people per day into a group. And like that the tow of us were inviting 250 people every day. :)
Vix - Actually I was watching the project from almost its very birth, and in the beginning it was really more like just a community where people are united by one common factor - love for the music.

t. - Do you yourselves create/perform music?

M.S. - I don't think you can call that creating. :) I'm trying to write some beats on Fruity Loops, but it's very primitive and just strictly for myself. It's definitely not going to be released anywhere :) , especially not within the Ru Trip Community framework.
M.G. - No, I don't do that :)
V. - No, but currently I'm mastering harmonica *laughs*

t. - What are the biggest challenges you have to deal with?

M.S. - There are various challenges. But the main, as usual, is the one - lack of money. If we had the funds, we could organize shows featuring musicians-friends of Ru Trip Community, release, even if with limited printing, CDs. RTC is a non-profit association, we don't get any kind of money from it, and invest our own is not an option yet.
M.G. - I think the biggest challenge was in fact the development. Out those 250 invited a day on average only 5-10% are accepting the invitation. And out of 5-10% only 1-3% are actually showed some activity. But little strokes fell great oaks :)
V. - Um, well, out of difficulties that were getting in the way of particularly Ru Trip I would point out some lack of interest, especially in the beginning. The majority of people in modern society have a very narrow range of interests, and for some those interests are even imposed, therefore there are very stereotypical ideas about things that are not interesting for the society. They heard once from somewhere that trip-hop is a sad music and don't approach it anymore, satisfied with scanty and degrading commercial material.

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15Aug/100

Flunk Q&A session for trippin’ the rift

Posted by tipkin

FlunkFlunk doesn't need to be introduced to anyone. In fact, you have to introduce yourself to Flunk's music, and once you've done so, it will become your closest friend. I'm not sure what their secret is. Maybe it is that there is no secret, just pure honest melodies and Anja Oyen Vister's enchanting vocals. Flunk's producer Ulf Nygaard kindly agreed to answer a few questions for the readers of trippin' the rift.

tipkin - You've been kind of staying off the radar since This Is What You Get came out last year. What has Flunk been up to in 2010?

Ulf - Not much, and a lot. Well, guitarist Jo [Bakke] got a daughter in February. And Anja got a son just a few days later. So I guess that means they've been busy bees. Myself I'm working on my Norwegian Folk & Røvere project, making album number nine.

t. - To me TIWYG (which I absolutely loved and it was on Repeat in my player for a good couple of weeks, and still is in there, just mixed with other stuff) seemed like a bit of a departure in style: more acoustic, "live" sound. Other highlighting Anja's magnificent voice, what was the idea behind it?

U. - Well, I guess the album was very influenced by me being way into dubstep by the time - and for a couple of years before the album was finished. Burial totally changed my production preferences. Like Massive Attack did back in the very early 90's. But we also like to make typical Flunk tracks, like "Love Hearts" and probably "Speedskating". And then again we also fancy acoustic stuff, some of our songs fits guitar and voice best, I think, like some of them we play live.

t. - Covering "Karma Police" was a risky step. Who came up with the idea and what was the reaction of the fans - both yours and Radiohead's?

U. - As most covers, it tend to be my idea. And we love to do very 'risky' songs, like "Blue Monday"... I'm not sure if we scored hundred percent on "Karma Police", in fact I think that is a track that is more beautiful and 'gripping' with just Anja's voice and guitar. We didn't get too many reactions - most were like 'that was interesting'... :-)

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3Aug/102

Morcheeba Live Session on KCRW, Los Angeles

Posted by tipkin

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18Jul/100

Hungry Lucy interview for trippin’ the rift

Posted by tipkin

Hungry LucyAs I announced a little while ago, Hungry Lucy (Christa Belle and Warren Harrison) have agreed to do an interview for trippin' the rift. Reed it and weep (with joy):

tipkin - First and obvious: who is Hungry Lucy and what is she hungry for?

Christa - The original story is that Lucy is a ghost, and she'd died of a fever epidemic (it's a long story!). When she haunted the house, she was hungry for food. They nicknamed her "Hungry Lucy". However, the name for us, as the band, translated more into a hunger for making music that no one had experienced before. Hungry Lucy as a band is hungry for life and all it offers.

t. - What is your reaction when you see/hear something like "trip-hop act Hungry Lucy" or "gothic-pop band Hungry Lucy". Do you think that your genre-blending opens your music for wider audience, and is it deliberate?

Warren - With our first album (Apparitions, 2000) I think we were going for a more deliberate sound, but since then we've tried to focus on creating music that moves us. Labeling the music really only comes in to play when it's time to market each album. The fact that we cross so many genres makes it inevitable that this label contain a few hyphens and mixed categories.

C. - I definitely think it makes us open to a wider audience. That's never a bad thing.

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15Jul/100

Ninja Tune: a visual history

Posted by tipkin

The National Student did its homework and put together a killer compilation of classic music videos from Ninja Tune's finest warriors in celebration of the label's upcoming 20th birthday. A very nice and entertaining way to fill the blanks in your trip-hop education. I'm just gonna drop some names: Coldcut, Funki Porcini, Amon Tobin, Bonobo, Roots Manuva, Kid Koala, Mr. Scruff and many, many others. You still here? And not here???

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13Jul/100

Portishead – Glory Box (John Martin vs. Kram)

Posted by tipkin

From the city of Coverville comes this bloody death-match (just kidding, very peaceful competition) of two covers for Portishead's "Glory Box." Covering Portishead songs is a thankless job, but these two contestants didn't do too bad. John Martin turns "Glory Box" into soulful blues, and Kram gives a hazy 70's psychedelic feel. Listen to podcast and take trip to Coverville to vote.

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

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12Jul/101

Thievery Corporation to release ‘Best Of’ album

Posted by tipkin

After 15 years of stealing trip-hop fans' hearts Thievery Corporation's is coming out with "Best Of" album. It will be called It Takes a Thief and include "Lebanese Blonde" and "Sound the Alarm" among other favorites that Rob Garza and Eric Hilton from their 5 studio albums. More about the album, band's history and new new album here.

Here's a video for "Lebanese Blonde", one of the songs that will be included in the CD.

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9Jul/10Off

Martina Topley-Bird – on the move

Posted by tipkin

Martina Topley-Bird talks about her new album Some Place Simple, touring with Massive Attack, relationships with Tricky, escaping the legacy of Maxinquaye, raising her daughter and plans to move to L.A. Read here.

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