trippin' the rift can you trip like i do?

13Mar/110

Non Dolet – Inner

Posted by tipkin

Inner is a fragile and delicate record that may just fall apart when not handled properly. And when it is taken apart, when it isn’t listened to in its entirety, then it cannot be heard. This record is like an icicle, trying to embrace the sun but slowly dying from its burning kisses, and every hit of the piano key is like another sparkling teardrop that sings its love song to the world before disappearing in the muddy waters below. More ambient in its nature, with slow, cinematic tunes filled with, besides dominating piano, various types of exotic strings and percussion, Non Dolet still delivers a few trip-hop delights, such as wavy “Searching The Water” or harmonica-driven “Outback”. The sampling is minimal – absolute most of the music is original and created by the single individual behind Non Dolet – a young Russian music conservatory student named Alisa (or Alice, if you like. I do – her music does take you to the Wonderland, but the grown up, and therefore not as cheerful version of it). Classical background is evident, sometimes perhaps too much so – some tracks sound like improvisational essays, which does not make them less impressive, but shifts the perception of the album, significantly narrowing its potential audience. It is hard to recommend such record, because from the listeners with very similar music tastes the reaction could vary from sighs of quiet amazement to yawns of utter boredom – depending on their current mood and the history of how their taste developed into its current form. Some tracks are too literal, e.g. “Train #312” or “Bushido” (which, not surprisingly, happens to be my favorite track – I’m not too deep kind of guy), some are too personal, but overall Inner is a very impressive piece of work from a very talented musician and composer, who possesses an immense amount of potential. Whether this potential develops into an exciting career in electronic music or into something beyond that – time will show. I am sure we will hear more about Alice one way or another. But for now we have Non Dolet and let’s listen to it carefully.

Listen to Non Dolet - Inner here and download it for free at Section 27 netlabel.

R.I.Y.L. classical music, early Spring
personal favs: "Bushido", "War Field", "Outback"

★★★½☆ tipkin's rating


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20Dec/101

Josh Furey – Archaeology

Posted by tipkin

Josh Furey - ArchaeologyI always find reviewing really good albums harder than really bad ones. While reviewing something crappy not so great, there's lots of room for your twisted brain to roam and lots of un-tasty nuggets for your dirty mouth to feed on. "This is a weak rip-off of that and this song belongs on John Voight-produced movie soundtrack". Hardy-har-har. But what do you say about an album that is nearly perfect? That it's coherent, but every single track holds its own ground? Duh. That despite it's 17-track length there isn't a single note I would leave out and there isn't a moment when you get bored or your mouse pointer is slowly crawling towards 'skip' button? Well, yeah, but you can figure that out on your own. I guess I'll just screw objectivity altogether and keep it personal. I'm a sucker for strings, heavy beat and eerie samples. And there is plenty of all of the above on Archaeology. It's the music angels would play if someone would take their horns away and replaced them with DJ equipment and a warehouse full of blues, bossa-nova, hip-hop (and whatever the fuck else Josh Furey is listening to) records. They would sing beautiful songs that kinda make the world seem like not too bad of a place but at the same time remind you that there will be time when you'll have to leave this place and that time may come sooner than you think. It's a perfect winter album - with enough cold and stillness to send shivers down your spine and make you think about futility of life (like that killer sample of Bob Dylan and Alan Ginsberg talking at Kerouac's grave on "Faders", one of my favorite tracks) and other existential junk and stuff, but with enough warmth (all those breathtaking female vocal samples and occasional piano) to make you want to appreciate your futile existence a bit more. It never turns sappy or preachy though, which to me is another huge plus when it comes to a piece of art. Josh Furey keeps it tight with those beats like a no-nonsense construction worker laying down heavy bricks that on their own could be a dangerous weapon of destruction, but if followed an elaborate architectural design may form something massive and fragile at the same time. And when the architect and the brick layer are the same person, you know that the execution will be perfect. And you don't have to be an archaeologist to dig out this album. It's right here (be supportive and donate some moolah).

R.I.Y.L. DJ Shadow, Indigo Spirit, strings
personal favs: "Covered In Dust", "Faders", "Sac Actun Submerged"

★★★★★ tipkin's rating

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16Nov/100

Tricky, Ed Kowalczyk & Hawkman – Evolution Revolution Love (video)

Posted by Hu7ker

Hello everyone! Long time no see.

As usual, nothing new, just good tested old. This time in our programme a video from Tricky's 2001 album Blowback fro the song "Evolution Revolution Love". Along with the gloomy trip-hopper - Ed Kowalczyk of Live and rapper Hawkman.

eng. translation - tipkin

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14Oct/100

Anomie Belle – Sleeping Patterns

Posted by Hu7ker

I fell in love with her right away. As the first notes of "Down" started playing, I knew - this is love. And when she started singing - I drowned... Anomie Belle's (born Toby Campbell) debut album Sleeping Patterns (2008) is something so beautiful, deep and sensual, that it is impossible to refrain from the evenly distributed foolish raptures and romantic "aw". Girl-orchestra who aside from her profound voice has cello, guitar, keyboards, drums and all kinds of electronic trinkets in her arsenal, wrote and recorded just a very, very soulful album. Smooth, tender, (I'll say it again) beautiful compositions are streaming like water, flowing from one into another. The main, I guess, hit of the album - "How Can I Be Sure", which is featured, by the way, in the Limited Collector's Edition OST for the PC game Alan Wake. The spectacular "Cascade" - composition which doesn't require any lyrics; the music says more. The sad "February Sun", relaxing "Dox Amsterdam"...

...Wanna know more? Follow the white rabbit...

personal favs: "How Can I Be Sure", "Bedtime Stories", "Cascade"

★★★★½ Hu7ker's rating

eng. translation - tipkin

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3Oct/100

Second Person – Gone Fishing (video)

Posted by blond

Video for the song "Gone Fishing" by the British trio Second Person (Julia Johnson, Mark Maclaine, Alvaro Lopez) about "a mermaid and a rescued fish". The album is still not finished, three years had passed already, but I really liked the song. So, let's watch and wait for the news.

Second Person - "Gone Fishing"

eng. translation - tipkin

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26Sep/100

(Русский) CherryVata – Где!?

Posted by blond

sorry, this entry is only available in Русский.

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18Sep/100

Anomie Belle – Bumbershoot 9.7.09

Posted by Hu7ker

Bumbershoot Music Festival, Seattle, september, 2009. Anomie Belle's set with special guest - rapper Mr. Lif

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3Sep/100

Alpha – The Impossible Thrill

Posted by Hu7ker

There is an expression that is often used in the context of trip-hop - 'England-style'. So, Alpha, diligently following footprints of Massive Attack and Portishead ever since 1996 and due to that diligent following still had not acquired their own recognizable sound by 2001 (i.e. the time of the release of The Impossible Thrill). Is it a bad or a good thing I'd rather not say. Because, on one hand, the music is "England-style" quality and is, in its way, very good. On the other hand, it lacks that zest that would make one fall in love with it; there is mournful downtempo, as mournful as it gets, with a few glimpses like "South" and "Especial". Three vocalists are featured on the album -  Wendy Stubbs, Helen White and Martin Barnard, which, in my opinion, helped to diversify the overall melancholy. Conclusion: on my personal list Alpha with their The Impossible Thrill is solid but still the middle. But You, the curious and unfamiliar with them listener, should see for yourself...

Alpha - "Wise"

personal favs: "South", "Especial"

★★½☆☆ Hu7ker's rating

eng. translation - tipkin

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31Aug/100

Spylab – Celluloid Hypnotic (video)

Posted by blond

Kenny Inglis and Jon Gillies are conducting "inhumane" experiments on extortion of voice from the population utilizing mixers, hypnotic suspensions and 25th frame. This time their victim is a good-looking girl with pleasant vocals.

Spylab – "Celluloid Hypnotic"

eng. translation - tipkin

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29Aug/100

Kosheen – Kokopelli

Posted by Hu7ker

In Hopi mythology, Kokopelli is one of the fertility deities, often depicted as a humpbacked flute player (often with a huge phallus and tentacle-like protrusions on the head). The essence of fertility in the ancient times consisted of agriculture and childbirth. The latest is directly connected with the human sexuality, so it's not surprising that the second full-length album by British electronica project from the small town of Bristol acquired this title - Kokopelli [I guess the fact that this deity also represents the spirit of music had something to do with it as well. - tipkin]. Further developing the ideas founded in their debut Resist, the trio (Mark Morrison, Darren Beale and Sian Evans) in the duration of 11 tracks holds a hypnotic seance with the listener, where Sian's sensual voice is interwoven with Mark and Darren's smart, "rock" infused arrangements by the thin fluorescent threads."With this album we left the guitars in there which is more of a consistent sound for us. It just made sense because we were thinking about how we could play these live. We had a few problems with the first album about really putting it across live. With this album it's a lot easier and we wanted that because our live show is really important to us. There's still little electronic things bubbling away in the background. They haven't gone," - said Darren about Kokopelli, but there is no conventional heaviness in the album (there are guitars, but they are just underlining the image) and the music from track to track goes right through to the very soul, to its very core, grabs you and takes away on the waves of a dream...

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