PlayGame – Forbidden EP
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Is it just me or there's a new wave of interest towards trip-hop these days? New websites emerge out of the blue (like this self-proclaimed "#1 source of Trip-Hop music" - we all know ho's #1 source of Trip-Hop music
) every other musician is trying to squeeze in "elements of trip-hop" in their portfolio one way or the other. It's getting harder and harder for me to find my way in this ocean of kindatrip-hop and almostrip-hop, and even the actual straight-up trip-hop, which is also being produced in copious amounts. Honestly, I'm not even trying anymore, and in choosing releases for reviews I follow two criteria - releases provided by friends and releases that are so outstanding that should not be left without attention. Ideally, those two parameters merge into one. I cannot say that it happened with this one. But it was close. I'll explain - Forbidden EP from PlayGame (Yekaterinburg, Russia) is an excellent record with many things going for it, some of which I'll mention later on. I didn't regret getting it into my hands and writing this review with a great pleasure. But. It this wasn't a release by my good friends Ru Trip Community, would it make it onto the pages of my blog? Not likely. In part because, yes, simply genre-wise it's rather a rock record. And this is, strangely enough, the biggest compliment. It's very refreshing to hear among all this total "indiocy" (just came up with this myself) with shriek-y genderless vocalists and barely audible noises that serve as music, a band with a powerful vocal and musicians that obviously know what they're doing, while uncompromisingly staying clear from mainstream (don't get me wrong - most of the songs from the EP would sound great on the radio, the thing is that there is no chance in hell any of them would ever end up on the modern bought-and-sold-radio, and that doesn't seem to bother the band). Uncompromising would probably be the main epithet that I would use to describe Forbidden EP. It's an honest and clear album, it's not a political statement, it's a personal statement of a human being and an artist, and just try to argue that this is less important in art. It's a dangerous statement - it divides listeners into two categories - ones who understand and share everything that the band is trying to say, every note, every line, and the ones who "don't get it". And the first category will be much smaller because of how intimate PlayGame's music is. But I suspect that this doesn't bother the musicians, they're looking for listeners who will become friends. It's not a complaint (even though I'd like to hear more wordplay instead of playing with words in the lyrics), my main complaint is the following, - the keyboards sometimes (pretty often actually) turn from the most interesting and original element of PlayGame's music into this ear-depressing irritant. The track "Shiver" was among my favorites on RTC compilation Letters exactly due to the killer keyboard parts that took the track to a whole new level. But on the EP version of the track keyboards dominate, they're everywhere and, as Mayakovsky said are "stepping on their own song's throat". I do realize that I sound like a grumpy old lady and in general, with my abnormal love for minimalism it was a misfortune for Forbidden to even get into my hands, but this is my opinion and wish to the band - to find this happy medium where the abundance of elements is not preventing the listener from enjoying every each one of them separately, because PlayGame does have lots of those elements and all of them are very enjoyable.
You can download the release for free from PlayGame's official site.
2econd Class Citizen – Outside Your Doorway EP
I'm not a huge fan of the expression "best kept secret". Whenever I hear it I always think of some weird conspiracy or somebody trying to push their crappy work using it as an excuse for no one giving a shit. "Ooh, it's a best keep secret!" Nope, it's just shitty. But on some rare occasions I actually do get it, and this is one of those occasions. When I found out that 2econd Class Citizen is releasing a new EP, this exact thought formed in my brain: "I actually know this guy and I fuckin' love what he does, but you probably don't know him, because he's one of the trip-hop's best kept secrets". It isn't a secret for those music gourmands who quickly bought out the first print of the EP on vinyl, but 2econd Class Citizen remains pretty much unknown to the majority. Hopefully not for long. The new full-length is due next month and if it is as good as the EP, I expect a lot of positive buzz.
It seems like everyone is trying really hard these days to not use samples, go as instrumental as possible and create new sounds. How about creating good music? That certainly seems to be the focus of Outside Your Doorway EP. The sound is so effortless and careless that at the first listen is easy to miss all the layers and details just going with the flow of the music. But this is exactly what makes the record so good - the skillful combination of many (crazy) elements, the seamless pattern of very different parts that somehow totally make sense together. Take away the folk-y vocal sample from the title track and it turns into just another example of melancholic instrumental trip-hop. Leave the vocals without the beat - and it's just a dusty folk song from a scratched up record. 2econd Class Citizen manages to make folk sound fresh without any artificial aftertaste. "Liberated Lady" throws some funk into the mix with the beat intensifying and promising a journey filled with surprises. Buddy Peace adds a bunch of tribal elements to his remix of "Liberated Lady" and then Dday One cranks up the insanity with the creaky remix of "Outside Your Doorway", which made me go "Oh, that's a nice touch!" a few times - like when wind chimes came in or when I realized that cicadas are used as an instrument. I'm usually lukewarm towards rap - it's not exciting enough to me to be the main element of the song, so "Insect Forms" (feat. James Reindeer) didn't really make a lasting impact, but I did appreciate the dark atmosphere. The EP concludes with "Outside Your Doorway" (Know My Soul Mix) that paints a quite different, dark and menacing picture of the world that is out there. A nice and smooth transition from "fun and games" of the first two tracks to mysterious and scary to plain darkness and abyss towards the end. It's not easy to achieve such cohesiveness on a short EP, but it doesn't seem to be a problem for 2econd Class Citizen. I don't know what kind of story his LP will tell, but I'm surely want to be the first one to hear it.
2econd Class Citizen - Outside Your Doorway EP is available now from Equinox Records, which gave us the excellent J.Baracuz - A Contemporary Witness EP last year, so these guys definitely know their music.
Poldoore – Waiting For The World EP
I'm really not hard to please at all when it comes to music. Give me something that is well-structured, cleanly put together, has some nice detail and is catchy enough to nod my head to - bam! - I am happy as a clam. Yet this somehow doesn't happen all that often. Many releases I listen to suffer from various degrees of listener-ignoring self-indulgence, cringeworthy amateurish production (I'm a huge fan of DIY independent music, but if you DIY - DIF(ucking)W(ell)) or just simply being a total bore. Poldoore (alias of Belgian musician Thomas Schillebeeckx) in his Waiting For The World EP delivers the goods in a simple, but elegant and attractive package, - it's like a sample-size bar of good chocolate - doesn't fill you up, but is still delicious and satisfying for the moment. It's a very clever EP, fully understanding its purpose - to demonstrate the skill level and range, and make you want more. Each one of four tracks on the EP showcases different sides of Poldoore's talent: setting up the mood in the title track, masterful use of a great instrumental sample (guitar provided by Road Of Silence) on "Moonshyne (Reshyne)", spicing things up with a bit of vocals on "The Northern Compass" and blending all of the above together on "Honey Don't Cry". And all four tracks demonstrate maybe his most important ability - to create a cohesive record, and it's hard to over-appreciate this particular skill. And if you visit this blog regularly you know that I'm a sucker for a good beat and for a subtle detail. There's plenty of both on Waiting For The World. I like how playful and creative Poldoore is with his beat, not letting it simply guide the track, making it the exciting and often prominent part of it. And the detailing is exceptional as well, from the cicadas on the opening track to some kind of shawm slowly emerging in the finale of "Honey Don't Cry". Poldoore's music sits comfortably somewhere in the middle between chillout downtempo and instrumental hip-hop, cleverly staying away from the cheesiness of the former and the self-important monotony of the latter. While not necessarily breaking any new grounds, Poldoore - Waiting For The World EP is a very satisfying little record of an extremely high quality. Poldoore is 'waiting for the world', but there's no reason for the world to wait - the EP is available now on Bandcamp for free.
And here's a funky mixtape by Poldoore for Miles High Sessions:
002 - Have A Nice Trip - Poldoore by MilesHighSessions
P.S. Some small print - I decided to go without R.I.Y.L. section for EP's from now on. I think you can take time to listen to 4-5 tracks without additional guidance))
Anomie Belle – Machine EP
Well, let's listen to the thing, shall we? Yes, we sure shall. Machine EP is 5 tracks packed with all kinds of electronica goodness. If you haven't heard The Crush, you're a loser you should definitely check out Machine EP, because it based around the title track (featuring Mr.Lif) that perfectly captures the dark, sexy and intense drive of the album, and the remixes are guaranteed to intrigue you enough to make you want to listen to the originals. If you heard The Crush, you should definitely check out Machine EP as well, because it features "Slither" - a brand new and absolutely gorgeous collaboration with Ian Pickering of Sneaker Pimps, and three remixes that make Anomie Belle's genius sparkle in new lights. "Machine" is my favorite track on The Crush, but on the EP it isn't the star of the show. Actually, it's just one of the show's 5 stars. I found myself completely dissolved in "Slither"'s dark atmosphere, hypnotic beat and those unearthly strings (warning! the may tear your soul apart!) and only Anomie Belle's silky vocals guided me through the darkness. It is so damn good that could easily spawn an entire album - and maybe (fingers crossed!) we will see something like that - "Slither" wasn't the only product of the collaboration. "Machine" follows, quickly getting us back to reality (maybe a bit too quickly, but I understand that on a 5-track EP there's not much room for subtleties). And Tapage's glitchy re-working of "Electric Lullaby" brings us right back to the dream world. Listening to Machine EP is sort of like swimming butterfly stroke - one moment you're underwater, you can't breathe, all you can see is bottomless deep darkness. Next moment you're above the surface, you catch the light reflecting in splashing water, you hear all the sounds of the world at once. And then you go back under. "Electric Lullaby" is definitely one of the "underwater" moments - very Radiohead-y, with Anomie Belle's digitized vocals shimmering between glitchy beats. Then you're above again - in the uptempo "Bodies Offering" (Other Lovers Mix) made by Anomie Belle herself, breathing twilight becomes an urban romance - fast, direct but tender and sensual (adding strings was such a nice touch). Big Spider's Back concludes the EP with the dance remix of "Machine". I picked the wrong word to describe it in the Q&A - it isn't bouncy, it's not fist-pumping-jump-around-in-da-club kind of dance remix. It's more like "I close my eyes and give myself to the beat" kind of dance. Definitely an "under" moment, more Moby than Fatboy Slim.
As usual, Anomie Belle provides more than a few great tunes. She (and, here on Machine EP, her talented collaborators) gives us an experience, a chance to... take chances, to open our minds after we opened our ears to her music. Machine EP comes out tomorrow, go to www.anomiebelle.com to get your copy.
R.I.Y.L. Massive Attack - "Paradise Circus", Radiohead - Kid A, swimming butterfly stroke
personal favs: "Slither", "Bodies Offering" (Other Lovers Mix)



















































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